A Single Shard

Average Rating:
4.87805
41 Reviews
TitleA Single Shard
Publication TypeBook
Year of Publication2001
AuthorsPark, Linda Sue
Number of Pages148
PublisherClarion Books
CityNew York
ISBN0-395-97827-0 (hardcover)
Abstract

Park (Seesaw Girl) molds a moving tribute to perseverance and creativity in this finely etched novel set in mid- to late 12th-century Korea. In Ch'ul'po, a potter's village, Crane-man (so called because of one shriveled leg) raises 10-year-old orphan Tree Ear (named for a mushroom that grows "without benefit of "parent-seed"). Though the pair reside under a bridge, surviving on cast-off rubbish and fallen grains of rice, they believe "stealing and begging... made a man no better than a dog." From afar, Tree Ear admires the work of the potters until he accidentally destroys a piece by Min, the most talented of the town's craftsmen, and pays his debt in servitude for nine days. Park convincingly conveys how a community of artists works (chopping wood for a communal kiln, cutting clay to be thrown, etc.) and effectively builds the relationships between characters through their actions (e.g., Tree Ear hides half his lunch each day for Crane-man, and Min's soft-hearted wife surreptitiously fills the bowl). She charts Tree Ear's transformation from apprentice to artist and portrays his selflessness during a pilgrimage to Songdo to show Min's work to the royal court he faithfully continues even after robbers shatter the work and he has only a single shard to show.

URLhttp://www.amazon.com/Single-Shard-Linda-Sue-Park/dp/0440418518/

Supplemental Contributions

Members of the community have contributed the following materials as supplements to A Single Shard.

Title Attached Files Contributed By Contributed On Link

Ceramics Unit for A Single Shard

Unit for art teachers by Malia Bennett in two files, Trinity Area High School (Pittsburgh site)

2 Malia Bennett 11/8/11

More >

A Single Shard/summary and activities

summary and a variety of activities for multiple grade levels

1 Katherine Hoffer 9/29/10

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Average Rating:
4.87805
41 Reviews

Reviews for A Single Shard

5

Posted By: Janine Brill

Posted On: November 30, 2017

Written by Janine Brill, 8th Grade ELA and Science, 7th and 8th Grade U.S. History, Mary Queen of Apostles School, New Kensington, PA

A Single Shard, written by award-winning author Linda Sue Park, tells the story of Tree-ear, a homeless orphan boy living in a potters' village during twelfth-century Korea. Tree-ear is befriended by Crane-man, a homeless elderly man whose leg disability forced him to sell all of his earthly possessions. Tree-ear exemplifies a person who greatly admires and respects his elders, and aims to please each person in his life. In doing so, he gradually gains more confidence in himself and gains respect from others. Tree-ear literally crosses rough terrain and evades personal injury from robbers to ensure that his master potter will secure a commission from the royal court. Through his perseverance, passion, and persistence, Tree-ear is able to pursue his dream of becoming a potter. According to Crane-man, "Scholars read the great words of the world. But you and I must learn to read the world itself." And in learning to read the world, Tree-ear realizes his dream becomes reality

Linda Sue Park poignantly describes how Korean celadon pottery is crafted: collecting and washing clay, gathering specific wood for kiln fires, timing of the potter's wheel, and the carvings and inlays in each product. With great skill and patience, a beautiful and noteworthy piece can be crafted over time, and perhaps last for centuries.

This novel would be ideal for grades six through eight. The artistic content would integrate well with an art class in which a specific project requires minute details over time. Book excerpts regarding celadon pottery techniques could be read aloud while viewing photographs and other images on Korean celadon pottery. For English Language Arts, students could write a narrative essay about perseverance and courage, or an analytical paper on a historical figure whose perseverance and courage greatly impacted society.

5

Posted By: Julie Yankovich

Posted On: November 29, 2017

My name is Julie Yankovich. I teach art to grades seven through twelve at Geibel Catholic Junior-Senior High School in Connellsville, Pa. I chose to read A Single Shard by Linda Sue Park.
A Single Shard is a book about an orphan named Tree-ear. The story takes place in the mid-to late twelfth century. He lives under a bridge, in a small pottery village called Ch’ulp’o, on the west coast of Korea. He lives with a disabled man named Crane-man, who has taken care of Tree-ear as long as he can remember. He lives with Crane-man because his parents died when he was young of a fever. At this time in Korean society, anybody that was orphaned or homeless would live with family, or if you had no family, the monks at the temple would take care of you. The monk’s temple was ripe with fever, so the villagers suggested that Tree-ear would live with Crane-man under the bridge until the outbreak ended. When the outbreak of fever ended in the temple on the mountainside, the monk came back to retrieve Tree-ear. Tree-ear clung to Crane-man and the monk left him there.
When Tree-ear foraged for food, he often watched the master potter Min work on his wheel. Tree-ear was a very curious boy who snuck into the potter’s studio. He picked up pieces of pottery to get a closer look. He dropped a pot after being startled. The potter caught Tree-ear and thought he was a thief. Tree-ear explained to Min that he just went inside the studio to admire Min’s work. Min was terribly angry. After some conversation, Min agreed to have Tree-ear work for him to pay back what was broken. Once his debt was paid, he begged for a job to work at Min’s studio. After a year and a half of working for Min, he journeyed to the palace with two of Min’s pottery pieces. Min had hoped to get a royal commission. Tree-ear encounters a major bump on the road to Songdo to meet Emissary Kim. This journey to the palace changes Tree-ear’s life.
I would recommend introducing this book in an art class for grades seven, eight or nine. The book could be assigned over a long break for Thanksgiving, Christmas or Easter as it is an easy read. The book is full of life lessons, almost every situation that Tree-ear encountered he learned something. Students could write about sections of the book that spoke about patience, honesty, or hope. They could compare things that require patience, honesty, and hope in their own life.
During class time, students could research traditional Japanese flowers like those created on Min and Kang’s pottery. Students could make a pinch pot or even create a coil pot. The students will create four sketches of their best ideas. The teacher and the student will go over their ideas together to choose the best one. Students will then carve the flowers into their pot. Once the pot has been in the kiln, they can glaze it using colors found in nature.

5

Posted By: Mary Martin

Posted On: March 21, 2016

Mary Martin
6-12th grade
Visual Arts
Winchester Thurston School

A Single Shard by Linda Sue Park is about the journey of an orphaned boy who seeks a sense of place and self-worth. He looks to find both from two local sources: one is a generous homeless amputee that teaches him compassion, courage and morality, while the other is an obsessive master potter that teaches him obligation, humility, and perseverance. Tree-ear’s path of discovery begins with him from paying a debt with 9 days of manual labor and ultimately leads to far more than he ever imagined. During the course of the book, Tree-ear physically experiences each of the four seasons of nature by living & working in nature. The seasons are manifested psychologically through human interactions with Crane-man (his guardian), Min the potter, and Min’s wife. He experiences harsh blistering conditions while repaying his debt to Min, the ill-tempered potter. There are hopeful signs of spring blossoms through his transformative experiences moving him from an unfortunate orphan to a resourceful young apprentice. Like autumn leaves, he experiences self-transformation as he faces his fears while journeying to deliver Min’s artwork. Like the intensity of summer heat, he also confronts emotional loss and drama. As a high school art teacher, I feel that my students will be able to relate to Tree-ear’s journey as a youth, as well as to the multiple ceramic references that bring deeper meaning to traditional Korean clay forms studied in class. My intention is to incorporate the various authentic artworks into a series of lessons on traditional Korean pottery techniques using handbuilding and wheel throwing techniques. Students will explore using colored slips with inlays, incising, sculpting, and glazing with celadon glaze.

A traditional 12th century Korean pottery village is the book’s backdrop, but I prefer to see this as the foreground—it truly depending on the reader’s point of reference. This focal point sets the stage for a myriad of authentic clay experiences that any ceramic student would appreciate. I’m thrilled to finally read a book that highlights the intricacies of the potter’s daily work! With much finesse, Park’s book incorporates and references authentic Korean museum artifacts by using them as key characters throughout her book. Here, literary arts are inspired by visual art. The book also provides key explanations on how closely nature informs Korean pottery. She skillfully emphasizes the importance of location when explaining where raw clay materials are gathered, where the ceramic pieces were produced, what techniques were used, where they were fired, who supported their production without losing connections with the main character’s overall development, and where they were finally utilized. Like the celadon pottery of the times, this well-crafted piece of fiction has subtle nuances that quietly remind us of the natural world’s significant role in relation to man. Like the highly prized traditional incised celadon ceramic works, the writing skillfully scratches beneath the surface of the life of an orphaned boy seeking guidance from different sources.

5

Posted By: Jeremy Mangan

Posted On: January 10, 2016

Jeremy Mangan
Book Review
January 10, 2016

A Single Shard

A Single Shard by Linda Sue Park is a novel about a boy named Tree-ear, who is an orphan and lives under a bridge with a homeless, disabled man named Crane-man. Throughout the book we come to learn that Tree-ear is fascinated with the potters in his village. He is especially fond of one potter named Min, and often watches him work. One day Tree-ear goes into Min's yard to look at the work that he has drying in the sun. While Tree-ear is looking at the work, Min comes out and startles Tree-ear and sadly, he drops and breaks a box. To pay for the broken box, Tree-ear offers to work for Min for nine days. While working for Min, Tree-ear’s nine-day punishment gradually turns into an eighteen month internship. This internship changes both Tree-ear and Min's life when the king’s court commissions Min’s work.
After reading this book, I would have to say that this would be an excellent read for my fourth grade students. This novel not only transports its reader into the world of 12-century Korea but also tells the coming of age story of a young man on a mission to grow into something better that he feels he is. This text could be implemented as a read aloud, a book club book or as a cross-curricular text studied in both readers workshop and art class.

5

Posted By: Mary Martin

Posted On: January 5, 2016

Mary Martin
6-12th grade
Visual Arts Instructor
Winchester Thurston School
A Single Shard by Linda Sue Park is about the journey of an orphaned boy who seeks a sense of place and self-worth. He looks to find both from two local sources: one is a generous homeless amputee that teaches him compassion, courage and morality, while the other is an obsessive master potter that teaches him obligation, humility, and perseverance. Tree-ear’s path of discovery begins with him from paying a debt with 9 days of manual labor and ultimately leads to far more than he ever imagined. During the course of the book, Tree-ear physically experiences each of the four seasons of nature by living & working in nature. The seasons are manifested psychologically through human interactions with Crane-man (his guardian), Min the potter, and Min’s wife. He experiences harsh blistering conditions while repaying his debt to Min, the ill-tempered potter. There are hopeful signs of spring blossoms through his transformative experiences moving him from an unfortunate orphan to a resourceful young apprentice. Like autumn leaves, he experiences self-transformation as he faces his fears while journeying to deliver Min’s artwork. Like the intensity of summer heat, he also confronts emotional loss and drama. As a high school art teacher, I feel that my students will be able to relate to Tree-ear’s journey as a youth, as well as to the multiple ceramic references that bring deeper meaning to traditional Korean clay forms studied in class. My intention is to incorporate the various authentic artworks into a series of lessons on traditional Korean pottery techniques using handbuilding and wheel throwing techniques. Students will explore using colored slips with inlays, incising, sculpting, and glazing with celadon glaze.
A traditional 12th century Korean pottery village is the book’s backdrop, but I prefer to see this as the foreground—it truly depending on the reader’s point of reference. This focal point sets the stage for a myriad of authentic clay experiences that any ceramic student would appreciate. I’m thrilled to finally read a book that highlights the intricacies of the potter’s daily work! With much finesse, Park’s book incorporates and references authentic Korean museum artifacts by using them as key characters throughout her book. Here, literary arts are inspired by visual art. The book also provides key explanations on how closely nature informs Korean pottery. She skillfully emphasizes the importance of location when explaining where raw clay materials are gathered, where the ceramic pieces were produced, what techniques were used, where they were fired, who supported their production without losing connections with the main character’s overall development, and where they were finally utilized. Like the celadon pottery of the times, this well-crafted piece of fiction has subtle nuances that quietly remind us of the natural world’s significant role in relation to man. Like the highly prized traditional incised celadon ceramic works, the writing skillfully scratches beneath the surface of the life of an orphaned boy seeking guidance from different sources.